(4) channel mixer with cables to interface your playback device.Height to trusses is 10’, to the lighting grid is appx.I use a spreadsheet to keep track of all the button assignments.Studio A Description: White Box (All walls are white except West glass brick wall behind the risers that comes with blackout covers) blonde sprung wood floor medium value gray seating risers 60 seats total, plus floor cushions.Īdditional Features: Dressing room with mirrors and chairs small storage room for props and set
just hit the 'Capture' button in QLab and press the appropriate button on the Launchpad. Since you can use QLab's MIDI listen function, you don't actually need to refer to any documentation to set up this kind of stuff. also, i find the button action on the Launchpad Mini is good for this purpose (much better than the first generation Launchpad). the Launchpad Mini is also a class-compliant device so no extra drivers are needed. more colours would better but i prefer the size of the Launchpad Mini (and space in most operating positions is at a premium). and i have a few emergency buttons that skip parts of my main cue list in spots where a performer might mess up.įinally, i have group cues that set the Launchpad buttons amber/red/green depending on what they do.
others use LOAD and START cues to jump into specific transition points. then i map buttons to specific cue points that i regularly need to jump to during tech or rehearsals. I use a separate cue list for the Launchpad cues.įirstly i have dedicated buttons for most of the main workspace controls (go, panic, preview, pause, resume, etc.). It's true it is a bit cumbersome to set up the MIDI cues, but once done it improves my workflow immensely. I always use a Launchpad Miini with QLab now, and i would never want to work without it.
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